Mauritanian French director Med Hondo’s West Indies: The Fugitive Slaves of Liberty, presented at THFF25 in a new restoration,  proved a watershed event for African cinema—the continent’s first musical as well as a sui generis amalgam of historical epic, Broadway revue, Brechtian theater, and joyous agitprop. Using an enormous mock slave ship as the film’s only soundstage, Hondo mounts intricately choreographed reenactments and dance numbers across his multipurpose set to investigate more than three centuries of imperialist oppression. The story traverses the Caribbean, Europe, Africa, and the Middle Passage; jumps across time to depict the effects of official French policy upon the colonized, the enslaved, and their descendants; and surveys the actions and motivations of the resigned, the revolutionary, and the powers that be (along with their lackeys). No mere extravaganza, West Indies is a call to arms for a spectacular yet critical cinematic reimagining of an entire people’s history of resistance and struggle.

We are pleased that THFF alumna filmmaker Annabelle Aventurin, who oversaw the restoration of West Indies, will be present for a special introduction to the film. 

West Indies: The Fugitive Slaves of Liberty screens at THFF25 as part of the retrospective program You Don’t Get Freedom, You Take Freedom: Caribbean Activist Cinema 1978–1985.