Name: RECKONING AND REPAIR: REPRESENTING TRAUMA AND (POST)COLONIAL VIOLENCE
Start: 2025-06-01T14:15:00-05:00
End: 2025-06-01T14:15:00-05:00
Location: Koubek Center

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2705 SW 3rd Street Miami, FL, 33135 305.237.7750

2025-06-24T00:00:00-05:00

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Miami Dade College is an equal access/equal opportunity institution which does not discriminate on the basis of sex, race, color, marital status, age, religion, national origin, disability, veteran’s status, ethnicity, pregnancy, sexual orientation or genetic information. To obtain more information about the College’s equal access and equal opportunity policies, procedures and practices, please contact the College’s Equity Officer: Cindy Lau Evans, Director, Office of Equal Opportunity Programs/ADA Coordinator/Title IX Coordinator, at (305) 237-2577 (Voice) or 711 (Relay Service). 11011 SW 104 St., Room 1102-01; Miami, FL 33176.EquityOff@mdc.edu

Miami Dade College is committed to ensuring the accessibility and usability of digital communications by all users and/or recipients, regardless of technology or access method. To ensure accessibility, the College strives to adhere to the standards established by Web Content Accessibility Guidelines (WCAG) 2.1, Levels A and AA standards. Reports of problems or concerns should be addressed to Cindy Lau Evans, Director, Office of Equal Opportunity Programs/ADA Coordinator/Title IX Coordinator, at (305) 237-2577 (Voice) or 711 (Relay Service). 11011 SW 104 St., 1102-01; Miami, FL 33176.EquityOff@mdc.edu

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2705 SW 3rd Street Miami, FL, 33135 305.237.7750

KOUTÉ VWA (LISTEN TO THE VOICES)

En Residencia 2025

SHORTS BLOCK: WHY DOES THE AIR TREMBLE?

TRUE CHRONICLE OF THE BLIDA JOINVILLE PSYCHIATRIC HOSPITAL IN THE LAST CENTURY, WHEN DR FRANTZ FANON WAS HEAD OF THE FIFTH WARD BETWEEN 1953 AND 1956

SCREENING THE STRUGGLE: CARIBBEAN ACTIVIST CINEMA REGAINED

EN PARÁBOLA/CONVERSATIONS ON TRAGEDY (PART I)

BITTER CANE

BITTER CANE

LA BACHATA DE BIONICO (BIONICO’S BACHATA)

SHORTS BLOCK: YOUR HANDS WERE BUILT FROM MEMORY

SUGAR ISLAND

RECKONING AND REPAIR: REPRESENTING TRAUMA AND (POST)COLONIAL VIOLENCE